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Millennial Jesus

by tudors

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1.
Nuclear Swan 03:50
…and now I’m sleeping with silverfish as you whittle your own crucifix and syphon my dreams like stolen gas from a parked car in a fuel station— dead as a desert that you promised water and stale bread. You leper, you leech; those aren’t thorns around your head—that’s just a halo that you made yourself, fucker! Phonographed words you’d “never say,” swearing needles bent beyond repair swearing blackjack’s on the table, but jokers aren’t wild and that’s all you have. Yet flashbulbs make you cum and your knees get so very weak when you hear your own name while you are worshipping the radio. You know my name as “something something” some little person on your tongue, sloshed in saliva and erasers. You hold your torches so close to your wrists and want to set the world on fire; now your mirrors are catching flames, and that glass had mentioned to everyone that you’re a fucking sell-out poser scaring off punk rockers and other scum like a brainless scarecrow. Flashbulbs still make you cum like when you hear your name Plastered all over the radio you gladly sodomize. You know my name as “something something” some little person on your tongue, sloshed in saliva and erasers. You hold your torches so close to your wrists and want to set the world on fire; now your mirrors are catching flames. And I didn’t know that side B was such Purgatory, and now you are some nuclear swan crowning me an ugly duckling in your very own poisoned pond. [All the records, all the lectures that you gave me were just pitchforks stuck in your ass. You’re just a bore that “the boar” was too good for] You want to set the world on fire now your mirrors are catching flames. You want to set the world on fire now your mirrors are catching flames. They’re catching flames. They’re catching flames. They’re catching flames. They’re catching flames. 1, 2, 3, 4, who’s punk, What’s the fucking score?! You’ve got “Bloody Hands”© because your art is not breathing anymore.
2.
Mornings I would read Revolver, folding out the sponsored bands. I'd figure I was never gonna get the type of shit they had: their gear deals, their tour bus, the money for their tired songs. So I just played guitar for free, and thought that my taste was kind of off. Plasti-dipped artists hardcased in their harness attached at the gut to the wall. I know I’m a sellout in most other ways, but at least i pretend I’m still me. Then after like 10 years of bitching about the same shit, and realizing my woes were just redundant riffs: the same notes and same words just over and over…. for nothing to no one with nothing to make them mine. Plasti-dipped artists hardcased in their harness attached at the gut to the wall. I know I’m a sellout in most other ways but at least i pretend I’m still me. Fuck, buy me out.
3.
Everything I should have said could fill the empty spaces of a photo album with ink blots where everything I see is dying or dripping off the pages, like memories of friendships put through guillotines when I wake up with anvils sitting on my chest since their hands weren’t there to shove the weights down to the floor so I could breath again, breathe again: God damn, I wish I could breath again. I just don't want to be in it again no matter how temporary. Never thought I’d dream of floating downstream on Burnside riverbed, the way bathwater covered my eyes, my lungs, at 15. Never thought I would have my own wings clipped by my own scissors to get away from the sun, away from the light, away from things that made me tangible. Life would be so much kinder if I was an atheist saving my voice from screaming at the sky, “Am I doing this right? Am I doing this right? God, answer me, am I doing this right?” I just don't want to be in it again no matter how temporary. This is paralysis: knowing I don’t have it in me to hang myself. Never learned how to handle a rope with such shitty hands (such shitty hands) that only know how to push away-- strangle nostalgia cadavers-- let cries for help slip through fingers; genuine love slip through fingers. And I know I shouldn’t be thinking like this with prescription bottles hung from my bed, like Jesus Christ at the end of a rosary; wondering. Wondering do these pills work, or do they taste like monochrome? Cuz I’ve had my fill, I’ve had my fill of gray. I don’t know how to speak to other people, but my eyes can dance with the best of them, catching strangers with photographs in my head. It keeps my lungs expanded; keeps me writing stories in the stars, rearranging the milky way to look a little more like bears: Brave and big and ferocious protectors. It’s all I have. It’s all I have. It’s all I have. It’s all I have. None of this feels temporary. This is adulthood to stay in on a Saturday night lying on the carpet, staring at the ceiling, with the lights on, in a cold body because my boot straps snapped in half, my lungs too frail and black to “suck it up.” I am twenty-fucking-seven, but I still feel like a child knowing Chantal’s getting her Master’s in Boston, Henry just got married, Kathleen’s having a baby, and Ahmad bought a fucking house. I might not be safe inside my head, and I don’t know how to get out of bed, but that’s probably everything I should have said.
4.
Good morning, dinosaur. Another day break for the books. It’s a beaut out there, but i prefer my cloistered room to exacerbate my lack of drive to stay alive. But its not my fault cause I’m a victim. Just give me shelter, all i need’s love. I said I’m a victim, ain’t that enough? Your just gonna leave me out here? Alone in the cold with my shit?! Fuck you then, asshole. I hate you! When i die tonight, it’s your fault. Cause you’re gone and i called it catasroph then beyond it Now that we hardly talk, its far more simple to deflect all the shit you say, and just ignore you when you cry as your out of cash, and your girlfriend’s fucking sick of your pused-off face, your misplaced banter. Just give me shelter, all i need’s love. I said I’m a victim, ain’t that enough? Your just gonna leave me out here? Alone in the cold with my shit?! Fuck you then, asshole. I hate you! When I die tonight, it’s your fault. Catasroph then beyond it now you’re gone and i called it It happened all at once, you blocked out everyone. Not friends with all the friends we used to be, and then the morning came, another sordid day: The death of of when you thought that I was cool.
5.
Parasomnia 07:07
Since all we are only etchings left in time Then can’t the ones we leave be better then the truth they’d really find and even now as we progress and reinvent repackaged thoughts are just repackaged thoughts, nothings really changed. Now we’re getting older, but the future, the future’s become the past All worked up over nothing (they say), but that nothing, is somebody’s fucked up life Friends and family hide in terror, bolting windows, not from burglars but men in suits Men who’s kids probably played with your kids, men you’ve probably shook hands with. Books are written like they’re tabloids, making history, a crossect of truth and farce Young adults creating dialogues, about nothing, purposely ignoring the twist Shift in time becomes a schism, causing rupture, distancing ourselves from things we don’t like Then we wake up 10 years later, 10 years backwards, and our kids are worthless pieces of shit. I am the lost one I am the walrus I am the only one left standing here wide eyed, empty mouthed this is a nightmare this is a nightmare this is a nightmare this is a nightmare I am the lost one I am the fool I am the only one alive here breathing with a pulse this is a nightmare this is a nightmare this is a nightmare this is a nightmare This is a nightmare.

about

This EP was recorded over a weekend on October 14th and October 15th. We know you don't care about that fact, but we just wanted you to know.

credits

released November 10, 2017

All songs written by Tudors.

M. Clayton: Guitars and vocals. Lyrics for tracks 1 and 3.
D. Diaz: Bass and vocals. Lyrics for tracks 2, 4, and 5.
C. Page: Drums. Backing vocals on track 5.

Recording, mixing, and mastering by Alex Estrada at The Earth Capital recording studio.

Album art by C. Page

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tudors Long Beach, California

P.O.C. fronted Noise Punk from the Los Angeles area. Always lower case the "t."

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